No doubt, “When She Loved Me,” just as a song, is heartbreaking and almost (but not quite) insultingly manipulative, emotionally speaking. (The final film in the trilogy, of course, ends with a lengthy payoff to our relationship with those characters, as well as their friends.) That song does a lot of the heavy lifting here as with the “Married Life” opening of Up, it’s truly impressive that the Pixar animators and filmmakers were able to pull off the trick of making us feel for this character, who we’ve just been introduced to, as opposed to empathizing with a familiar favorite like Woody or Buzz. Instead, the scene is scored to Randy Newman’s sole new song in Toy Story 2, “When She Loved Me,” sung by Sarah McLachlan, a piece of music that’s so depressing that it makes her recent ASPCA ads seem happy-go-lucky. Wisely, the flashback is dialogue-free, bookended by Jessie’s alternately bitter and wistful memories of Emily. Finally, after the acrimonious arguing, Woody gets Jessie to explain how she sees his owner Andy as being very much like Emily: another kid who showers you with love until they don’t need you anymore.
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Up until Jessie’s flashback, the character is arguably less than sympathetic she’s new to the series and instantly turns Woody off with her aggressive enthusiasm, which transitions into almost-literal aggressiveness when she realizes that this golden goose Al found after years of searching wants to head back home as soon as possible.
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Eventually, Jessie was salvaged by “the Chicken Man,” better known as Al, the owner of local toy store Al’s Toy Barn, so that she could be part of a Tokyo toy museum’s display dedicated to “Woody’s Roundup,” a 50s-style TV show featuring our hero before he was the main fixture in Andy Davis’ bedroom.
One day, long after she’d carelessly tossed Jessie underneath her bed, Emily once again found Jessie and promptly brought her to a Goodwill donation truck near the forest and left her there for good. But, as with every child, Emily grew up and matured past playing with cowgirl dolls and toy horses, moving on to talking to her friends on the phone, putting on makeup to impress boys, and listening to pop music. Her tale of woe is simple enough: a long time ago, she was the favorite toy of a young girl named Emily. So, yes, this is yet another “Pixar Moment” column, and there’s no better place to look than at the first real Pixar Moment, from Toy Story 2, as Sheriff Woody learns why exactly his cowgirl counterpart Jessie has such a chip on her shoulder. Both, like A Bug’s Life, featured outtakes during the credits, a commentary on the prevalence of painfully similar blooper reels in live-action films and both have a powerful moment that inspires the adults in the audience to tear up and reach for a tissue.
both represent the old and new in Pixar, a slight blend of honest and often-unexpected emotion along with clever and witty gags aimed at the pop-culture-literate members of the audience. That film inspired a shift in the animation industry, but the way in which general audiences’ response to animated films changed occurs roughly halfway through Toy Story 2. The moment when Pixar caused a cultural shift in mainstream animated cinema wasn’t, as you would expect, with the release of their first film, Toy Story.